My friend started a record collection and asked me which albums I thought should be in it, so I have compiled a list my favorite albums from the 1950s through the 2010s. The albums in this list are records I like to listen to on the whole. There are lots of “best of” lists online, but those are usually just music industry promotions, so the benefit of this assortment is that I do not have to sell anything: I am just including what I believe to be solid records—records that are actually enjoyable to listen to all the way through.
Read moreSplit Screen Cinema
Over many years of studying film, I have collected over 500 instances of visual influences, homages, and rip-offs in movies and art, and I will continually update them here.
Read moreRevisiting “Harold and Maude”
Rather than a simple black comedy, Harold and Maude is arguably one of the best satires to come out of the New Hollywood genre. Ashby’s direction, Colin Higgins’s narrative, and Bud Cort and Ruth Gordon’s acting “weave a gentle spell,” as film critic Matt Zoller Seitz put it, by providing the audience with “a romance, a tragedy, a satire, a paean to eccentricity, a philosophical statement, and a ‘trip’ film whose music montages seem to roll in like waves.” It is in that spirit that Harold and Maude deserves to be revisited, not just as a quirky, low-budget Hollywood offshoot, but as a serious work of cinema.
Read moreBest Films of the 2000s (So Far)
Here is a list of my favorite films from 2000 to 2020. A caveat: I am behind on catching some key films from the last decade, so I may add films to this list over time. There are some blockbuster films that are not on this list, and even some films I like that did not make it in the final tally. These are just my own personal favorites.
Read moreBecoming Michelle Obama
Michelle Obama’s attempts to be relatable and to portray herself as apolitical throughout her memoir is a purposeful way to obscure her privilege and promote a conservative, capitalist ideology: that women can be successful through strength of character rather than uprooting the systemic realities that actually affect them. If any lesson is to be had from Becoming, it is that women should not be distracted by celebrity power politics, but instead, they should return to a program of radical liberation and not conciliate to capitalism and imperialism.
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